Rembrandt: Yəhudi gəlini
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Artist |
Rembrandt
(1606–1669)
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Alternativ adlar |
Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn |
İzah |
Dutch painter, printmaker və drawer |
Doğum/ölüm tarixi |
15 iyul 1606
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4 oktyabr 1669
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Doğum/ölüm yeri |
Leyden
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Amsterdam
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Yaradıcılıq illəri |
circa 1625 - circa 1669 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
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Yaradıcılıq məkanı |
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Normativ yoxlama |
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artist QS:P170,Q5598
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Başlıq |
Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’
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Object type |
rəsm əsəri
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Janr |
portret
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Depicted people |
İshaq
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Tarix |
1662 - 1666 date QS:P571,+1662-00-00T00:00:00Z/8,P1319,+1662-00-00T00:00:00Z/9,P1326,+1666-00-00T00:00:00Z/9
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Orta |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
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Ölçülər |
hündürlük: 121,5 sm; eni: 166,5 sm dimensions QS:P2048,121.5U174728
dimensions QS:P2049,166.5U174728
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Saxlanıldığı kolleksiya |
Reyksmüzyem
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Native name |
Rijksmuseum Amsterdam |
Location |
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Coordinates |
52° 21′ 36″ N, 4° 53′ 07″ E
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Established |
1800 |
Veb-sayt |
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Normativ yoxlama |
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institution QS:P195,Q190804
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Current location |
Gallery of Honour
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Accession number |
SK-C-216
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Place of creation |
Amsterdam
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Obyekt tarixi |
by 1825 date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : Vaillant (Probably Christiaan Everhard Vaillant (1746-1829)), Amsterdam
1825: purchased by John Smith (art dealer), London, from Vaillant, Amsterdam for 5.000 NLG
2 may 1828 - 3 may 1828date QS:P,+1828-05-00T00:00:00Z/10,P580,+1828-05-02T00:00:00Z/11,P582,+1828-05-03T00:00:00Z/11 : sale of the collection of John Smith at Stanley, London, lot no. 67,, for 420 GBP (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)
iyul 1833 (?): purchased by Albertus Brondgeest from Smith for Adriaan van der Hoop (1778-1854), Amsterdam for 6.825 NLG
1854: bequeathed to the city of Amsterdam, Inventory number SA 8292, by Adriaan van der Hoop, Amsterdam
30 iyun 1885: lent to the Rijksmuseum Amsterdam, Amsterdam, Inventory number SK-C-216, by the city of Amsterdam
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Exhibition history |
, Stedelijk Museum, Amsterdam, 8 sentyabr 1898–noyabr 1898, kat. no. 119.
Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 iyun 1932–4 sentyabr 1932, kat. no. 40.
Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amsterdam, 18 may 1956–5 avqust 1956, Museum Boijmans Van Beuningen, Rotterdam, 8 avqust 1956–21 oktyabr 1956, OCLC 15659340, kat. no. 96.
Rembrandt 1669/1969, Rijksmuseum, Amsterdam, 13 sentyabr 1969–30 noyabr 1969, kat. no. 22.
Rembrandt-Caravaggio, 24 fevral 2006–18 iyun 2006, Van Gogh Museum, Amsterdam, Cat.no. 29.
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Yazılar |
İmza və tarix :
Rembrandt f. 16[..]
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İstinadlar |
AnonymousUnknown author, , as Isaac and Rebecca, Known as ‘The Jewish Bride’, circa 1665 date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 -circa 1669date QS:P,+1669-00-00T00:00:00Z/9,P1480,Q5727902 , hündürlük: 121,5 sm; eni: 166,5 smdimensions QS:P2048,121.5U174728
dimensions QS:P2049,166.5U174728 . AnonymousUnknown author, , as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, hündürlük: 121,5 sm; eni: 166,5 smdimensions QS:P2048,121.5U174728
dimensions QS:P2049,166.5U174728 . AnonymousUnknown author, , as Portrait of a couple as Isaac and Rebecca, 1662-1666, hündürlük: 121,6 sm; eni: 166,4 smdimensions QS:P2048,121.6U174728
dimensions QS:P2049,166.4U174728
AnonymousUnknown author, , as Das Brautpaar (Die Judenbraut), after 1665date QS:P,+1665-00-00T00:00:00Z/7,P1319,+1665-00-00T00:00:00Z/9 , hündürlük: 121,5 sm; eni: 166,5 smdimensions QS:P2048,121.5U174728
dimensions QS:P2049,166.5U174728
AnonymousUnknown author, , as The Jewish Bride, circa 1665date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 , hündürlük: 122 sm; eni: 167 smdimensions QS:P2048,122U174728
dimensions QS:P2049,167U174728 .
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ». |
Normativ yoxlama |
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Source/Photographer |
www.rijksmuseum.nl : : |
Digər versiyalar |
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