Fayl:Shah Tahmasp I in the mountains.jpg

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Yaradıcı



Alternativ adlar	Farrukh Husayn
İzah	rəssam
Doğum/ölüm tarixi	circa 1547	circa 1615
Yaradıcılıq illəri	–1619
Normativ yoxlama	: Q4481320 VIAF: 305191008 ULAN: 500317526

İzah

English: Shah Tahmasp in the mountains.

Early 19th century: (1981) The imperial image: paintings for the Mughal court, Freer Gallery of Art, Washington, p. 190, fig.34 «Inscribed to Farrukh Beg, early 19th century»
In (ingilis) (1987) The Emperors' Album: Images of Mughal India, Metropolitan Museum of Art, p. 285 ISBN: 978-0-87099-499-9. :

"100. Shah Tahmasp in the Mountains

Early nineteenth century

Inscribed to Farrukh Beg

FGA 39.47a

THIS ARCHAIZING portrait of Shah Tahmasp (1514-76), the great Safavid patron who reigned in Persia from 1524 until his death, brings to mind historical films in which legendary beings are forced into "period" settings. The baton of his turban has been truncated; the landscape is trumped up from late sixteenth-century Mughal rather than Iranian sources; and the kebabs evoke flavors that are more traditional than the costumes of their cooks. It may have been inspired by a portrait painted for Jahangir by Sahifa Banu, the best-known woman artist of the Mughal court. Her fine but amateur accomplishment was deemed worthy of one of the richest of all seventeenth-century Mughal borders, adorned (by Mansur himself?) with drawings in gold of flora and fauna. This early nineteenth-century pastiche bears no relationship to the work of the eminent artist Farrukh Beg, to whom it was inscribed. SCW

THIS PORTRAIT is surrounded by Persian verses in apparent disorder. The reader is urged to turn to God and is told that "death is better than a life in misery." A.S.

HERE AGAIN is the familiar nineteenth-century border of verses simulating the cutout ones of seventeenth-century albums, with a second border of a flower-head and palmette scroll in gold on blue. The main border is in colors heavily outlined in gold on a buff ground. MLS

1. For Sahifa Banu's portrait, see Clarke, Indian Drawings, no. 27, pl. 18. It is in the Wantage Album (V&A 177-1921)."

Tarix

Early 19th century: (1981) The imperial image: paintings for the Mughal court, Freer Gallery of Art, Washington, p. 190, fig.34 «Inscribed to Farrukh Beg, early 19th century»

Saxlanıldığı kolleksiya

Freer Gallery of Art

	Native name	Freer Gallery of Art
	Parent institution	Smitsonian İnstitutu
	Location	12th St. and Jefferson Dr., SW., Washington, D.C.
	Coordinates	38° 53′ 18″ N, 77° 01′ 39″ W
	Established	1923
	Veb-sayt	asia.si.edu
	Normativ yoxlama	: Q1075126 VIAF: 121007573 ISNI: 0000000411316801 ULAN: 500245389 OSM: 1029355 LCCN: n80085247 WorldCat

Accession number

F1939.47a

Source/Photographer

Original publication: 16th-century, Mughal painting, India.[1]

Immediate source: http://ids.si.edu/ids/deliveryService?id=FS-6558_02&max_w=600

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.

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PDMCreative Commons Public Domain Mark 1.0falsefalse

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	Tarix/Vaxt	Miniatür	Ölçülər	İstifadəçi	Şərh
hal-hazırkı	11:15, 11 iyun 2017		2.275 × 3.500 (2,8 MB)	HistoryofIran	Better
	00:26, 11 aprel 2017		413 × 636 (179 KB)	HistoryofIran	{{subst:Upload marker added by en.wp UW}} {{Information \|Description = {{en\|Shah Tahmasp in the mountains.}} \|Source = '''Original publication''': 16th-century<br/> '''Immediate source''': http://ids.si.edu/ids/deliveryService?id=FS-6558_02&max_w=600 \|...

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JPEG şəkil şərhi	(Artist) Farrukh Beg; India; ca. 1620; Opaque watercolor and gold on paper; H x W: 21.9 x 13.8 cm (8 5/8 x 5 7/16 in); Purchase